Illustration of fire coming out of the ears of someone who just ate spicy peppers and hot sauce
Art by Juliette Toma

Ode to El Molcajete

By Gary Soto
From the February 2024 Issue

Learning Objective: Students will analyze a poem, then use it as a model to write their own.

Ode to El Molcajete

Art by  Juliette Toma

It’s a stone 

In my abuela's kitchen,

A stone which 

Grinds Fresno chiles

And runs with

The blood of tomatoes.

The half moon of onion

Cries sad tears 

Into the stone, 

And my abuela

Leaks two or three tears,

Not from the sadness

Of a son going away,

Not for the starstruck

Young couples

In TV novelas.

It’s the onion

That makes her cry.

She wipes a tear

With a crushed Kleenex

And waves a hand

Over her nose,

The fumes of the chile

Lifting toward the ceiling.

Once, I licked

A spoon still puddled

In the molcajete,

And I ran around

The back yard,

My tongue like a red flag,

Like the tongue

Of a dog on a hot day.

I drank from

The hose, a gas station

Of water filling up

My one-gallon stomach.

Another time

I took the molcajete

To the back yard.

I filled it

With wet dirt,

This upside-down turtle,

This slaughterhouse

For chiles and tomatoes,

The thousand sheets of onion.

But it wasn’t the onion

That made me cry,

But my mother

Looking out from the window.

She tapped the glass

And pointed an angry finger

At the molcajete,

Packed with dirt

And sprouting a forest

Of twigs and popsicle sticks.

I don’t know

How my abuelo does it

Spoons the fire 

Of chile

Onto his frijoles,

And scoops them up

With tortilla.

I stand by him when

He eats. To me,

The chile is a gush

Of lava. But

His jaw goes up

And down, and my mouth

Goes up and

Down, on red candy,

The best I can do.

When I pass

The kitchen,

I pet the molcajete,

The turtle-shaped stone

That could snap

Your tongue

And make it wag

Crowns of fire.

From Neighborhood Odes by Gary Soto. Copyright © 1992 by Gary Soto. Used by permission of HarperCollins Publisher.

Icon of a lightbulb

Writing Prompt

Write an ode to something connected to cooking or eating, using “Ode to El Molcajete” as a model. 


This poem was originally published in the February 2024 issue.

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video (2)
Audio ()
Activities (3)
Answer Key (1)
video (2)
video (2)
Audio ()
Activities (3)
Answer Key (1)
Step-by-Step Lesson Plan

Close Reading, Critical Thinking, Skill Building

Essential Questions: What role does food play in culture and identity? What is the role of family in our lives? Why are memories important?

1. PREPARE TO READ (10 MINUTES)

Do Now: Introduce the Molcajete (10 minutes)

  • If your students are likely to be unfamiliar with molcajetes, kick off your lesson with a quick primer. Explain that a molcajete is a traditional Mexican tool for grinding spices, chiles, seeds, and nuts, and is used to prepare salsas, guacamole, and mole (a type of sauce). A molcajete consists of a bowl—usually with three short legs—and a grinding tool, both carved from volcanic rock. Show students the Using a Molcajete video clip (available in your Resources tab), or, if you happen to own a molcajete, you might bring it in for a quick demonstration! (Alternatively, you could arrange in advance for a student to do a short demonstration of how to use a molcajete.)

2. READ AND DISCUSS (30 MINUTES)

  • As a class, watch the Poet Read-Aloud video in which Gary Soto reads his poem to your students. Find it in your Resources tab.

  • For a second read, invite students to read the poem silently to themselves. Then discuss the following questions as a class.

Poetry Analysis (25 minutes)

  1. What part of his life is Gary Soto writing about in this poem? He is writing about his childhood.

  2. Explain how this poem about a molcajete is also about the poet’s family. The memories Soto describes in this poem involve not only the molcajete but also members of his family. He begins by describing his grandmother using her molcajete, her eyes watering from the onion she is smashing. When Soto describes a time he licked a spoon that was resting in the molcajete, he doesn’t mention his grandmother, but in a way, she is part of this memory too, as she is likely the one who made the spicy food that he licked off the spoon. Soto then describes a time he took the molcajete outside and filled it with dirt—and how his mother reacted when she caught him. And finally, Soto writes about his grandfather eating spicy chiles from the molcajete.

  3. Besides the fact that she used the molcajete, what do we learn about Soto’s grandmother in the first stanza? We learn that she had a son who went away (we don’t learn the reason) and that she watched TV novelas.

  4. The second stanza is packed with similes and metaphors. Identify them and explain what they help you understand. Soto writes that his tongue was “like a red flag.” This simile helps you picture him with his tongue hanging out of his mouth in reaction to the spicy food he just licked off the spoon. Soto then uses a second simile to help us picture the way his tongue was hanging out of his mouth, writing that it was “Like the tongue/Of a dog on a hot day.” Next, Soto describes drinking from a hose as “a gas station/Of water” that filled up his “one-gallon stomach.” This metaphor helps the reader understand that Soto gulped an enormous amount of water—that the water was flowing from the hose into his stomach the way gas flows from a gas pump into a car’s gas tank.

  5. In the third stanza, Soto writes, “But it wasn’t the onion/That made me cry,/But my mother/Looking out from the window.” Which lines from another stanza do these lines echo? Why might the poet have included this “echo”? These lines echo lines from the first stanza of the poem: “The half moon of onion/Cries sad tears/Into the stone,/And my abuela/Leaks two or three tears,/Not from the sadness/Of a son going away,/Not for the starstruck/Young couples/In TV novelas./It’s the onion/That makes her cry.” Answers to the second question will vary. Perhaps the poet included this echo to draw a connection between his grandmother and himself (using the molcajete led both of them to cry) while also emphasizing the difference between the two of them (she’s an adult who makes spicy food for her family; he’s a kid who messes around in the backyard). Or perhaps the poet included this echo simply because there is something enjoyable about it for the reader—there’s something fun or satisfying in recognizing the similarity between the two groups of lines. Some students may also find humor in the echo and how it expresses the idea that it was onions that made Soto’s grandmother cry and an angry look from his mom that made Soto cry.

  6. In the first stanza, Soto writes that the molcajete “runs with/The blood of tomatoes.” Explain the metaphor Soto is using in this description and how it continues in the third stanza. When Soto describes the molcajete as running with the blood of tomatoes, he is comparing the tomatoes being crushed in the molcajete to an animal being killed. In the third stanza, Soto continues this metaphor when he describes the molcajete as a “slaughterhouse” for chiles, tomatoes, and onions.

  7. An ode is a type of poem that expresses the writer’s thoughts and feelings about a particular person, place, or thing. Often, an ode is written to praise or celebrate that person, place, or thing. In what way is this poem an ode? “Ode to El Molcajete” is an ode because it expresses the writer’s thoughts and feelings about an object: his grandmother’s molcajete. The writer describes his memories of the molcajete and how it was connected to members of his family. He seems to be recounting these memories fondly, celebrating the molcajete and the role it played in his childhood.

3. WRITE YOUR OWN (30 MINUTES)

  • Have students complete the Featured Skill Activity: Poetry Planner. This activity will help them brainstorm ideas and provide tips for writing their own poem in response to the prompt:

Write an ode to something connected to cooking or eating, using “Ode to El Molcajete” as a model.

Text-to-Speech